| I began
my art education as a ceramic major at San Francisco State university
in 1976. I became involved in the Raku firing process of taking ceramic objects out of a hot kiln. The spontaneity of this process led me to work with hot glass. For me hot glass became the most compelling material to attempt to work with. After graduating from San Francisco State I continued to work with glass as part of my graduate program at the University of Hawaii. I was exposed to many images from the Polynesian culture through Pacific Art history classes at the university. I started to use boat images in welded metal sculpture that I was making at that time. My work in glass was mainly devoted to exploring blown vessels and color during this period. I graduated in 1983 from the University of Hawaii with a Masters of Fine Arts degree. In 1984 I went to work at the Tokyo Glass Art Institute as a visiting artist. At this time I was still involved in making blown glass vessels with elaborate colored designs. In Japan I was exposed to the Pate de Verre process of making glass objects by fusing crushed glass into plaster molds with an electric kiln. After nine months I returned to the United States. In 1985 I received a five month fellowship at the Creative Glass Center of America in Millville New Jersey. I had been blowing glass for seven years when during the fellowship at the C.G.C.A. I decided to concentrate on casting solid sculptural pieces. Artists like Bertil Vallien, Howard Ben Tre and Hank Murta Adams were inspirational to me in my pursuit of casting glass sculpture. During my fellowship I was able to make a range of totem and boat images using the sand casting technique. After returning to California in 1986 I realized that the only economically feasible way for me pursue my work as a studio artist was to develop a simple technique for fusing glass into investment molds with an electric kiln. I began using clay to sculpt my images. I found a bronze casting investment that would work with glass as a mold material. After building my first electric kiln in a rented garage in Davis I started to work with fusing crushed glass. Sixteen years latter I am still exploring the potential of this basic technique. I have come to realize that by using clay as a primary medium I can create unique images in glass using this process. Working with clay allows me to develop textures and forms that would be difficult to produce in glass using any other method. I want to create sculpture that portrays a life force or spiritual energy. I have used images of figures, boats, and totems to try to express these ideas. I continue to be inspired by the art of many cultures around the world that express the power of the spirit. |
Mark Abildgaard
Born March 2, 1957 in San Francisco, California
Education:
1983 M.F.A., University of Hawaii, Honolulu, Hawaii
1979 B.A., San Francisco State University, San Francisco, California
Selected Exhibitions:
2008 Cold + Hot, Group Glass Exhibition, Micaela Gallery, San Francisco, CA
Suspended Elements, Solo Exhibition, John Natsoulas Gallery, Davis, CA
2007 Tribal Visions, Kuivato Gallery, Sedona, AZ
2006 Aquarium Invitational, Vespermann gallery, Atlanta, GA
Made in California – Oakland Museum Café, Oakland,CA
2005 Offerings - Solo Exhibition, John Natsoulas Gallery, Davis, CA
Out of the Mold, Peninsula Fine Arts Center, Newport News, VA
Figure it Out, Morgan Contemporary Glass Gallery, Pittsburgh, PA
2004 GLASS - Conley Art Gallery, California State University, Fresno
2003
Casting Spirits - Kuivato Gallery, Sedona, AZ
20/20
Vision, Fellows Exhibition, Museum of American Glass, Millville, NJ
Figurative Work in Clay and Glass, Gallery Alexander, La Jolla, CA
2002 Glass Sculpture - Solo Exhibition, John Natsoulas Gallery, Davis, CA
A Figurative Show - Virginia Brier Gallery, San Francisco, CA
2001 Transmutations - Clay into Glass, Bullseye Connection Gallery, Portland, OR
The Figure, Carolyn Blake Gallery, Charleston, SC
2000
Glass Sculpture, Portia Gallery, Chicago, IL
1999 Glass Sculpture by Mark Abildgaard, The Rachael Collection, Aspen, CO
Figurative Glass Sculpture, The Miller Gallery, New York, NY
1998 Sculptural Perspectives for the New Millennium, The Leff Foundation, St. Helena, CA
1997 Calido! Contemporary Warm Glass, Tucson Museum of Art, Tucson, AZ
Glass, Owensboro Museum of Fine Art, Owensboro, KY
1996 Crocker - Kingsley Exhibition, The Crocker Museum, Sacramento, CA
1995 Light Interpretations The Jewish Museum, San Francisco, CA
1994 GLASS, San Jose Institute of Contemporary Art, San Jose, CA
1993 Glass Invitational, Dorothy Weiss Gallery, San Francisco, CA
1991
West Coast Glass: A Survey of Contemporary Glass Artists,
California
Crafts Museum, San Francisco, CA
1990 American Glassmaking, The Corning Museum on Glass, Corning, NY
1989 A Seven Year Legacy - Fellows of the C.G.C.A., Grohe Glass Gallery,
Boston, MA
1988 Taking Shape, Southern Alleghenies Museum of Art, Loretto, PA
1986
Poetry of the Physical, American Craft Museum, New York, NY
Collections:
The Corning Museum of Glass, Corning, New York
The Fresno Museum of Art, Fresno, California
The Virginia Museum of Fine Art, Richmond, Virginia
The Wheaton Museum of American Glass, Millville, New Jersey
The Contemporary Museum of Honolulu, Honolulu, Hawaii
Saks Fifth Avenue, Corporate Collection, Phoenix, Arizona
Pacific Enterprises, Corporate Collection, Los Angeles, CA
Hawaii State Foundation of Culture and the Arts, Honolulu, Hawaii
The Persis Collection of Contemporary Art, Honolulu, Hawaii
The Saxe Collection, Private Collection, San Francisco, CA
Work Related Experience:
2008 Lecturer, Glass Art Society Conference, Portland OR
2007 Instructor, Kiln Casting Course,
The Studio of the Corning Museum of Glass, Corning, New York
2006
Instructor, Kiln Casting: Basics and Beyond, Pilchuck
School,
Stanwood, WA
2005 - 2008 Instructor, Kiln Casting Course, Red Deer College, Alberta, Canada
2003 - 2007 Instructor, Kiln Casting Workshop, Masaoka Design Studio,
Carmel Valley, CA
2002 Visiting Artist, Emporia State University, Emporia Kansas
2001 Instructor, Kiln Casting Class,
The Studio of the Corning Museum of Glass
Guest Artist, Master Casters Seminar, Bullseye Glass, Portland, Oregon
2000 Artist in Residence, Bullseye Glass Company, Portland, Oregon
Guest Instructor, Public Glass, San Francisco, California
1999 Instructor, Kiln Casting Course,
The Studio of the Corning Museum of Glass, Corning, New York
Guest Lecturer, Ohlone College, Fremont, California
Instructor, Kiln Casting Workshop, San Jose State, San Jose, California
1995 Guest Lecturer, Glasmuseum, Ebeltoft, Denmark
1994
Guest Lecturer, Smithsonian Associates Studio Arts Program,
Washington DC
1993 - 1996 California Arts Council Artist in the Schools Grant Recipient,
Esparto Elementary, Middle and High Schools, Esparto CA
1986 Started North Star Glass Company, Davis, California
Lecturer, Sculpture Course, Hamilton College, Clinton, New York
1985 Fellowship Recipient, Creative Glass Center of America,
Millville,
New Jersey
Visiting Artist, Sculpture Space, Utica, New York
1984 Resident Artist, Tokyo Glass Art Institute, Tokyo, Japan
Commissions:
2009 “Suspended
Element Curtain” – 3’x22’x1', blown
glass, stainless steel
Department
of Social Services Building 25 North Cottonwood Street, Woodland, CA
2008
“Tree of Life” – 16’x10’x8’, stainless
steel, blown glass
Woodland
Healthcare Medical Office Building, 632
W.Gibson Rd., Woodland, CA
2007
“Virga” – 36’x18’x15’, blown glass, steel
cable
Embarcadero
Capital Partners LLC, Office Building, 1301
Shoreway Rd., Belmont, CA
2006 “Green/Blue Column”- 96”x16”x16”, glass block
“Suspended Elements”- 18”x72”x8”, kiln cast glass, stainless steel
“Things That Make You Happy”- 1’x20’, hand painted ceramic tile
Herbert
Bauer Mental Health Building,
213 W. Beamer Street, Woodland, CA
2005
“Creciendo Juntos/Growing Up Together” –
5’x10”, tile mural
Beamer
Elementary School, 525 Beamer Street, Woodland, CA
“Where
We Get Our Food” – 5’x10’, tile mural
Esparto
Elementary School, 17120 Omega Ave., Esparto, CA
2004
“Vamos a Leer/Let’s Read” – 5’x10’, tile mural
Beamer
Elementary School, 525 Beamer Street, Woodland, CA
2003
“Energy for the Future/Energia para el Futuro” –
3’x8’, tile mural
Beamer
Elementary School, 525 Beamer Street, Woodland, CA